拾穗者

Les glaneurs et la glaneuse

法国︱2000︱82分钟︱法语︱纪录片

France︱2000︱82min︱French︱Documentary

1998年12月至1999年4月，年过七旬的阿涅斯·瓦尔达带着数码摄像机在法国的城市和乡村“闲逛”的过程中，拍摄了一些关于当今时代法国拾荒者们的影像：流浪汉和生活贫困的人为维持生计拣拾各种生活必需品，艺术家们从废铜烂铁堆里寻找创造艺术作品的原料，喜欢拾荒的人的动机是出于反对浪费的品德。除了拾荒，影片还有一条游离于主线之外的副线，表现了一些表面看来与拾荒毫不相干、其实关系密切的人和事，比如采访一位兼做心理医生的葡萄园主，与发明电影的先驱者之一马莱的后代谈论电影问题。此外，本片还是一幅影片作者的自画像，瓦尔达不时从镜头后面走到镜头前面，即使当她在镜头后面时也有意地适度表现自己，而且有些镜头是她亲自拍摄的。

From December 1998 to April 1999, the over-seventy-year-old Agnès Varda, carrying a digital video camera, wandered through cities and villages in France and filmed images of gleaners in contemporary France: homeless people and those living in poverty rummage for various daily necessities to make a living, artists seek materials for their artworks from piles of scrap metal, and some people glean out of a moral opposition to waste. Besides gleaning, the film also has a subplot that seems detached from the main line but is actually closely related, such as an interview with a vineyard owner who also works as a psychologist, and discussions about film issues with descendants of Émile Malet, a pioneer of cinema. Moreover, this film is a self-portrait of the filmmaker. Varda often steps from behind the camera to the front, and even when she is behind the camera, she deliberately and moderately shows herself. Some shots are even taken by herself.

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